learn how to write a novel
My novel-writing course course has been regularly revised and improved over six years; if you are hoping to write a novel, this is the perfect starting point.
It is based on these principles:
- Affordable - to allow as many new writers to learn the craft as possible, especially those who lack self-confidence. Thus, each module is only $24.70, and includes a marked assignment . There is no contract to sign, no huge up-front purchase ... you buy each module when you're ready for it and can stop or pause whenever you choose.
- Flexible - there is no 'use-by' date and n0 deadline for assignments - you fit your course work around your busy life and can even take breaks. One client took time out to have a baby!
- Personal - you will have a direct one-to-one friendly relationship with me - there are no outside markers. It's the perfect writing coach situation, as you know you will only have one person 'marking' your work and helping you write a novel. I adapt the course and design extra exercises to meet your specific needs. You are dealing with a professional writing mentor, but I promise you will feel as comfortable as if working with a friend.
- Practical - the assignments are not just exercises for the sake of practice. From Assignment 1 you are refining your OWN story concept, building the plot and characters, and writing chapters and key passages of your chosen novel. By the end of the 20 assignments, you have completed your first draft and will feel a sense of accomplishment. You write as you learn and learn as you write.
WRITING COURSE MODULE CONTENT
Finding Inspiration. This module looks at using writing prompts and other means to get story ideas. In the assignment, students are asked to identify a genre, main character and very broad idea for their new story. The second half of the module examines the need to hook the reader from the very first paragraph when writing a novel.
Characters - Depicting the Externals and building a physical profile of your main character. You will be asked to devise a character, and profile his or her physical characteristics. You will also learn to build a powerful plot.
The Psychology of Character - when writing a story, profiling the psychological and personality attributes of the main character is very important. You will create a plot outline and see the need for a plot arc of rising tension
Show - Don't tell - practice in converting exposition into engaging action scenes. The second part of the module deals with plotting - The Inciting Incident. You will be required to establish the inciting incident for your novel. You will also look at the importance of setting.
Further Character Development - using Birth Order Theory and Enneagrams. The second part of the module examines the character's needs, wants and obstacles to success. By this point, you will have sufficient idea of the nature of your novel and have improved your novel writing skills sufficiently to produce your Chapter One for critiquing.
Dialogue - Understanding its Function. In the course of this module, the nuts and bolts of scribing and punctuating dialogue will be covered. As your writing coach, if I determine you need more work in this area, worksheets will be provided. The second half of this module turns to plotting again - this time looking at the essential 'Darkest Moment' in the plot.
More Dialogue - The Sub-text. Students will learn to write realistic dialogue that includes what is NOT being said - as revealed in body language, gesture and tone. There will be practice in the correct use of dialogue tags, action tags, and no tags at all.
Setting as Atmosphere and Mood-maker. An examination that takes setting beyond mere location and gives students practice in creating mood and atmosphere - applied, as always, to their own novels. As an extension of this, the second half of the module look at tapping the readers' senses to create immediacy and involvement. At this point, students are required to write the chapter that includes the Darkest Moment. [Note that key elements of the plot are extracted and worked on first, so there is a framework to shape the rest].
Theme and Tone. These terms are explained and explored as the undercurrent below the novel's surface. Similarly, the second half of the module looks at allusion, metaphor and symbolism - subtle ways to enhance the text. You will note that we are now getting into the more esoteric aspects of writing a novel.
The mid-point module looks at the overall plan of attack for writing a novel and the various work practices that novelists employ. This module is full of practical novel writing ideas for organising and completing your work-in-progress. Students produce a full story line for their novel.
Plotting Outline and Story Arc. In this module, students learn to simplify their plot into an overview that resembles a 3-act play. They learn how to devise a good story arc with rising tension. in the second half of the module, other plotting techniques are examined.
Person and Tense. Even though the student will have decided on a person and tense for writing a novel of their choosing, nevertheless, this aspect of novel-writing must be explored. The second half of the module will look at plotting in scenes.
Point of View (POV). This aspect of writing a novel is crucial to maintaining the reader's involvement with the character. In this module, First person POV is discussed and practiced. The second half of this module looks at a variety of narrative techniques.
Point of View - 3rd Person. There are several types of 3rd Person POVs to experiment with. Pros and cons of all POV styles are discussed. The second half of the module looks at the value of constructing a time line.
Plotting for Conflict and Tension. This module looks at the difference between a storyline and a plot, and examines the different kinds of conflict. The second half of the module is devoted to 'tight writing' and the development of a personal style.
Internal Conflict. This module deals with a most important and compelling form of conflict in a novel. The second half of the module returns to the writing of dialogue to examine ways to distinguish characters by their dialogue, treat accents and further reveal characterization through dialogue.
What's Up, Doc - a module devoted to helping the writer track down flaws that might be holding his or her novel back. This is when it is great to be dealing with a professional writing coach. The second half of the module looks at a great strengthening device in a good novel - the interior journey of the main character.
The Mythic Journey. Many novels lend themselves to incorporating mythic elements that readers subconsciously recognise and warm to. Students will explore the possibility of using the Mythic or Hero's Journey in their work.
The Climax and Resolution. A weak ending can ruin an otherwise good novel. Students will learn about creating a forceful climax and subsequent resolution or denouement.
Self-Publish and be Damned. This final module looks at the options open to the novice writer with a polished manuscript in hand. The novel writing might be complete, but the work has only just begun.It deals with agents, publishers and various forms of self-publishing. the second half of the book looks at the necessary step of re-working that first draft until it is ready to offer to a publisher.
This is the best complete writing workshop around!
TRY MODULE 1 and assignment 1 free - with no obligation
Experience the quality and value of this course for yourself.
See the difference I can make to your writing when I mentor your first assignment.
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Of course, if you want to sample my mentoring and send me the associated assignment, then you will have to email it to me.
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